Transcript
At this speed, pretty best, and he is going to be driving quite blind. Since the beginning, our goal was to try to make the most authentic racing film ever made. Great Steve McQueen in the seventies and thought there will be nothing more authentic than capturing a real race with a real driver, a real racing team, and real country business. For a century, the world's greatest endurance motor race once more gets underway here in the center of France. The idea was pretty simple. The track is our film best, and the crowd is our extras. We wanted to bring the audience the closest possible to a driver during his most important race. We thought of that, the biggest challenge was production. We shot the entire film with the crew of only eight. Six camera operators, one sound, one producer. No wastey at all. We shot on large format cinema cameras paired with anamorphic panavision lenses, including the system 65. To pair off the visuals, we push surround really further with a special mix. So you'll hear the engineer exactly as the driver does, surround your computer. Great lap, buddy. Great lap. Just keep doing tier like that. Nicely done. I truly hope you guys get to experience some of the biggest screens. To Die For is coming exclusively in IMAX on April 16.