@_devontewest
Instagram · Skit
@_devontewest It’s always “I was just talking to them the other day” 😂😂😂😂😂😂
@_devontewest
Instagram · Skit
@_devontewest It’s always “I was just talking to them the other day” 😂😂😂😂😂😂
Performance
Video #30166 · Skit
[01]
A creator performs a comedic skit, playing the role of an 'old head' who is working on his car. Upon being told that someone has passed away, he launches into a series of exaggerated and dramatic displays of grief, including throwing things, falling down, yelling at the sky, and reminiscing about the deceased, with jump cuts showing him in different outfits to represent various stages or types of reactions.
[02]
[03]
[04]
[05]
What stops the scroll in the first 3 seconds
Title hook · 45%
Old heads when you tell them somebody passed away
Verbal hook · 25%
You little girl died.
Visual hook · 30%
A man working on his car immediately stops and begins a series of dramatic, over-the-top physical reactions to bad news.
[07]
The promise the opener makes, and how the video pays it back
Hook
A text overlay explicitly states the relatable premise, setting a clear expectation for a comedic portrayal of a specific social archetype's behavior.
Payoff
The sketch concludes at the peak of the exaggerated performance, providing comedic satisfaction by perfectly encapsulating the absurdity of the entire escalated reaction, leaving the viewer with a feeling of shared recognition.
[08]
The structural pattern this video runs on
Framework
The Relatable Reaction Escalation
A comedic sketch that takes a universally recognized social scenario and exaggerates the stereotypical response through a series of escalating, performative beats. The humor is driven by the accuracy and absurdity of the portrayal.
The Mundane Baseline
The scene opens on a character engaged in a normal, everyday activity, establishing a calm starting point before the disruption.
The Inciting Incident
A piece of dramatic information is introduced off-screen, serving as the catalyst that shatters the normalcy of the scene.
The Initial Shockwave
The character has an immediate, explosive, and often physical reaction of disbelief and rejection of the new information.
The Performative Trope Cycle
The character launches into a rapid-fire montage of exaggerated, stereotypical behaviors associated with the scenario, often involving dramatic gestures, pacing, and vocalizations. Quick cuts between different versions of the character amplify the chaos.
The Personalization Claim
The character verbally connects themselves directly to the situation by claiming a recent, personal interaction, a key trope of the behavior being satirized.
The Grief Compounding
The character links the current event to another recent, related tragedy to heighten the perceived emotional stakes and drama.
The Sage's Regret
The character reframes the past by claiming to have offered prescient advice to the involved parties, positioning themselves as a wise figure in the narrative.
The Dramatic Collapse
After the peak of the emotional outburst, the character's energy collapses into a final, performative state of defeat or despair, concluding the reaction arc.
It’s always “I was just talking to them the other day” 😂😂😂😂😂😂
title · throughout
Old heads when you tell them somebody passed away
See, Ty, they they got the Philopoly and it's fumigated. So you know what I'm talking about. I knew it. Hey, Daniel. Come on, nephew. You little girl died. Get out. Go. Right then. Oh, Lord Jesus. Don't tell me that. Jesus. Don't tell me that. Oh, Lord Jesus. Oh. Oh, lord. Aphrodite didn't hurt me right this night. That hurt me. Alright. That's it. Oh, no. Not you the prayer. Oh. Jesus, it should've been me. This morning. Jesus. I'm supposed to go over that, lord. Oh. Oh. Oh, no, lord. Hate to hear that, lord. Anybody. And I was just talking to you the pro the other day. Hey, me too. Charlie. We were just around the nephew Oh. Not too long ago. Mhmm. You know, her hubby just died, Charlie. The day before yesterday. The brook he broke her. You done put him down from a brook her heart. Jesus. And I told her to hold on when I said, hold on. You little purse gonna be alright. God gotcha. Oh, fuck. And he took her. I a I don't know what I'm a do, Lou. I mean, that was the fault, Charlie.