@_devontewest
Instagram · Skit
@_devontewest They be trying to give it to any and everybody or take it to the junk yard for a few dollars 😂😂😂😂😂
@_devontewest
Instagram · Skit
@_devontewest They be trying to give it to any and everybody or take it to the junk yard for a few dollars 😂😂😂😂😂
Performance
Video #36466 · Skit
[01]
The creator performs a comedic skit, embodying the character of an 'old head' who has just discovered discarded furniture on the side of a road. He makes an enthusiastic phone call to a friend, trying to convince them of the items' value, suggesting they could be used or sold for scrap for a high price. The entire video consists of this one-sided, humorous phone conversation where he inspects the items and plans for their pickup.
[02]
[03]
[04]
[05]
What stops the scroll in the first 3 seconds
Title hook · 65%
Old heads when they see some furniture on the side of the road
Verbal hook · 10%
Hello? Charlie.
Visual hook · 25%
A man stands on a sidewalk next to a van with discarded furniture, including wooden folding chairs and a large white shelf, creating a curious and humorous scene.
[06]
Steal this for your own video
when they see
[07]
The promise the opener makes, and how the video pays it back
Hook
The video opens 'in medias res' with a text overlay establishing a relatable character stereotype. The character is already engaged in the core action (a phone call), immediately immersing the viewer.
Payoff
After securing the 'deal,' the character has a moment of private, self-satisfied reflection on their success, reinforcing the character's delusion and providing a final comedic beat.
[08]
The structural pattern this video runs on
Framework
The Found Treasure Monologue
A single character, through a one-sided conversation, attempts to convince an unseen party of the immense value of a mundane or worthless object, escalating the justification to an absurd degree.
The Initial Pitch
The character presents the 'found object' to an unseen person, not as something they want, but as a generous offer to the other person, establishing the comedic premise.
The Value Justification
The character begins to build a case for the object's worth, focusing first on its practical utility and quality, treating it as a genuine high-value item.
The Scope Escalation
The character discovers an additional, related object, expanding the 'treasure' and adding a new layer of justification and excitement to their pitch.
The Absurd Monetization
The character pivots from justifying the object's utility to assigning it a specific, and wildly inflated, monetary value, pushing the scenario into absurdity.
The Logistical Close
The character treats the absurd proposition as a real transaction, finalizing the 'deal' by arranging logistics for the object's transfer, which grounds the comedy.
They be trying to give it to any and everybody or take it to the junk yard for a few dollars 😂😂😂😂😂
title · throughout
Old heads when they see some furniture on the side of the road
Hello? Charlie. Charlie, y'all y'all y'all y'all don't need no chairs around there, Charlie. I don't need no chairs down there. Why? No. No. No. No. No. No. No. No. No. No. No. No. No. No. I'm I'm I'm I'm up here, by you the poor house, and there's a good chair from the side of the road. No. Why'd you take it down there? No. I ain't I ain't got my truck, Charlie, but but somebody can you need, Charlie. Good. Good. Good. Good. Good. Good. Good. Good. Good. Good. What about This good old good old, piece of shelf right here. Then you can take it down to the, you can take it down to the scrap. I'll get my $2.50 for it. Yeah. I'll get a little child. I'll be fighting. Charlie, Right here. Right. You're taking your scrap. $500. $500. $500. No. I'm not wasting time to check, Tyler. Mhmm. I'm a come get it. Okay. No. Uh-huh. Yeah. Go ahead and take that. Yeah. Okay. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a yacht. Not a Bad you a good? Alright. Now, y'all don't mind, man. You need a chill. Come on. I got that. All coming now.