@justedwardcrockett
Instagram · Carousel
@justedwardcrockett Such a beautiful film I had to break it down👀
@justedwardcrockett
Instagram · Carousel
@justedwardcrockett Such a beautiful film I had to break it down👀
Performance
Video #13775 · Carousel
[01]
This is a 10-slide Instagram carousel that provides a detailed analysis of the cinematography in the film 'The Secret Life of Walter Mitty'. Each slide focuses on a specific technique, such as 'Top Down Shots' or 'Under-Lighting', illustrated with a collage of stills from the movie and accompanied by explanatory text, culminating in a call-to-action for audience engagement.
[02]
[03]
[04]
[05]
What stops the scroll in the first 3 seconds
Title hook · 50%
CINEMATOGRAPHY PLAYBOOK
Verbal hook · 35%
Such a beautiful film I had to break it down👀
Visual hook · 15%
A striking wide shot of a lone skateboarder on a winding road through majestic mountains, creating a sense of adventure and freedom. The cinematic quality of the image itself hooks viewers interested in film aesthetics.
[06]
Steal this for your own video
PLAYBOOK
[07]
The promise the opener makes, and how the video pays it back
Hook
Establish authority by promising a 'playbook' or deep-dive breakdown of a popular, high-quality subject.
Payoff
Prompt the audience to dictate the next piece of content, turning the carousel into an ongoing series and driving comment engagement.
[08]
The structural pattern this video runs on
Framework
The Masterclass Deconstruction
Break down a highly regarded piece of work into its granular components, explaining the 'why' behind each specific creative choice to provide actionable insights.
The Component Isolation
Identify a specific, granular technique or element used in the subject to break the larger topic into digestible pieces.
The Strategic Justification
Explain the underlying psychology, narrative purpose, or technical reason why this specific element works, providing the actual educational value to the reader.
Such a beautiful film I had to break it down👀
title · photo_0
CINEMATOGRAPHY PLAYBOOK
title · photo_0
THE SECRET LIFE OF WALTER MITTY
call-to-action · photo_0
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title · photo_1
POST CARD FRAMES
informational · photo_1
These frames with handwriting in them are truly unique. They give so much more meaning to these montage shots where we are getting little glimpses into what Walter is experiencing internally.
call-to-action · photo_1
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title · photo_2
TOP DOWN SHOTS
informational · photo_2
The use of top down shots throughout this film pulls you out of Walter's world to get context of the scene while also creating a perfect opportunity for a match cut.
call-to-action · photo_2
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title · photo_3
CLOSE-UPS
informational · photo_3
Walter's job is so detail oriented that these close-ups are essential for the story. They bring the viewer into a perspective that Walter is commonly seeing and therefore connects us to him a bit more.
call-to-action · photo_3
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title · photo_4
OVER SATURATED FANTASIES
informational · photo_4
To differentiate between real life and Walter's daydreams, the filmmakers went for a much more saturated look to the "vibrant" life that he is dreaming of! The cool thing is that as you get to the end of the movie, the colorgrade moves into this more vibrant look as his life follows.
call-to-action · photo_4
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title · photo_5
KODAK 2383 PRINT
informational · photo_5
The whole film is shot on film but printed on kodak 2383 which gives it a lot of it's colorgrading look. The cool almost blue shadows but warm highlights is a common characteristic of this print look.
call-to-action · photo_5
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title · photo_6
UNDER-LIGHTING
informational · photo_6
Naturally, Walter's office has a lot of under-light and it actually creates a really interesting look as we come back to this place. It almost gives the feeling of how unsatisfied Walter is with this place.
call-to-action · photo_6
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title · photo_7
BEAUTIFUL LANDSCAPES
informational · photo_7
I mean I think it goes without saying but this movie is filled with some incredible landscape shots. I actually really like this because it brings in some of the shooting characteristics of the photographer in the story.
call-to-action · photo_7
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title · photo_8
SHOOTING SHADOW SIDE
informational · photo_8
While this is a rather simple cinematography technique, it's something that I think a lot of people miss. Simply by shooting on the shadow side of the face you create a much more "cinematic" image.
call-to-action · photo_8
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call-to-action · photo_9
WHAT MOVIE SHOULD I DO NEXT?
call-to-action · photo_9
LET ME KNOW IN THE COMMENTS