@erekosima43
Instagram · Vlog
@erekosima43 Episode 18: 100 Things Before I Die Catacombs of Paris 💀 📍Paris, France 🇫🇷 #100ThingsBeforeIDie #CatacombsOfParis #Catacombs #Paris #Bucketlist
@erekosima43
Instagram · Vlog
@erekosima43 Episode 18: 100 Things Before I Die Catacombs of Paris 💀 📍Paris, France 🇫🇷 #100ThingsBeforeIDie #CatacombsOfParis #Catacombs #Paris #Bucketlist
Performance
Video #37119 · Vlog
[01]
The creator starts at the Eiffel Tower in Paris, contrasting the city's romantic image with the dark secret of the catacombs beneath it, which hold 6 million bodies. He then descends into the tunnels, explaining their origin as a solution to overflowing cemeteries in the 1700s. The narrative then shifts to a modern mystery from 2004, where police discovered and then lost a secret movie theater in the catacombs, concluding on the duality of Paris as a city of love above and a city of the dead below.
[02]
[03]
[04]
[05]
What stops the scroll in the first 3 seconds
Title hook · 15%
100 THINGS BEFORE I DIE Episode 18
Verbal hook · 70%
I'm in Paris. And most people don't know, there's a city underneath the city.
Visual hook · 15%
A low-angle, sun-flared shot of the creator looking out over the Paris skyline from a high vantage point, followed by quick cuts to different perspectives of the Eiffel Tower.
[06]
Steal this for your own video
I'm in . And most people don't know, there's a underneath it.
[07]
The promise the opener makes, and how the video pays it back
Hook
The video opens by stating a familiar, positive location or concept and immediately subverting it with the revelation of a secret, unknown counterpart, creating an immediate information gap and sense of discovery.
Payoff
The narrative concludes by restating the core duality (surface vs. hidden world) and resolving it with a poignant, symbolic visual and a philosophical aphorism. This provides thematic closure and a sense of profundity without needing to solve the central mystery.
[08]
The structural pattern this video runs on
Framework
The Hidden World Chronicle
To reveal a secret, darker, or more complex reality hidden beneath a familiar, often idealized, surface. The narrative works by creating a stark juxtaposition and then exploring the history and mysteries of the hidden world, culminating in a thematic resolution rather than a literal one.
The Surface vs. Reality Contrast
This beat establishes the commonly held, idyllic perception of the subject and then shatters it with a shocking, quantitative fact about its hidden, darker reality. This creates a powerful emotional and intellectual hook.
The Scale of the Underworld
The narrative quantifies the hidden world, using specific numbers and scope (e.g., distance, volume, quantity) to transform an abstract concept into a tangible, overwhelming reality for the viewer.
The Grim Origin Story
This beat provides the historical context or 'why' behind the hidden world's existence. It grounds the fantastic or macabre elements in a logical, often problematic, past, adding credibility and depth.
The Known vs. The Forbidden
The narrative defines the boundaries between the accessible part of the hidden world and the vast, off-limits majority. This is followed by a strong transitional phrase that re-hooks the viewer by promising a shift from historical fact to modern strangeness.
The Modern Mystery Reveal
A contemporary, unresolved event or discovery is introduced into the historical setting. This makes the intrigue feel current and relevant, not just a relic of the past.
The Vanishing Evidence & The Warning
The mystery is escalated to its peak by revealing that the evidence of the strange event disappeared, leaving behind only a cryptic message or warning. This leaves the audience with a memorable, unresolved question.
Episode 18: 100 Things Before I Die Catacombs of Paris 💀 📍Paris, France 🇫🇷 #100ThingsBeforeIDie #CatacombsOfParis #Catacombs #Paris #Bucketlist
contextual · beginning
Paris
branding · beginning
100 THINGS BEFORE I DIE Episode 18
informational · beginning
6 million dead bodies
informational · middle
nearly 200 miles of tunnels
contextual · middle
IN 2004
narrative · end
"Don't try to find us." "Ne cherchez pas"
narrative · end
as above so below
call-to-action · end
episode 19 August 6, 2026
I'm in Paris. And most people don't no, there's a city underneath the city. This is 100 Things Before I Die, episode 18. If you were staying in Paris Paris is known as the city of love. There's probably somebody proposing right no. A tourist that just took 200 photos of the same view or newlyweds on their honeymoon. Not knowing they're walking over 6,000,000 dead bodies. About 20 meters beneath the streets of Paris is one of the largest collections of human remains on earth. Nearly 200 miles of tunnels with millions of bones hidden inside of it. In the late seventeen hundreds, Paris had a problem. The cemeteries were dangerously overcrowded and graves were overflowing. The smell of rotten bodies bad become a public health crisis. So in 1786, city officials begin to move human remains underneath the city. Down here, the walls are made of people. And the crazy part, almost no one knows whose bones are whose. Only about a mile is open to the public leaving over 100 miles of tunnels completely off limits. But here's where things get weird. In 2004, police were running a training exercise in the catacombs. They noticed a camera pointed at them. Someone was watching. They followed the wires, found a hidden movie theater, full bar, restaurant, and its own power supply. They came back with electricians to figure out where the power was coming from better everything was gone. No screen, no bar, no wires. Just one no. Don't try to find us. To this day, no one knows who built it and no one knows who took it apart. Above ground, Paris is the city of love. Below ground it's a city of the dead. But somehow, between millions of bones, someone still left a heart. As above, so below.