@harnidhk
Instagram · Greenscreen Talking Head
@harnidhk Comment DANCE and I’ll send the full essay straight to your inbox 💃🏽 Long before Diljit walked onto the Coachella stage, Punjabi music had already gone global once. That first wave came from Birmingham, Southall, Coventry and Bradford, and gave us secret raves at two in the afternoon, records selling through networks the official charts barely counted, and songs capable of moving an entire desi party within four seconds. The scene produced stars, labels and global hits. It also somehow lost ownership of the future it had invented. I went down an enormous rabbit hole to understand how, and why the second global Punjabi wave, running through Punjab and Canada, turned out so differently. (Forgive my voice I’m VERY SICK 🥲🥲🥲) Comment DANCE and I’ll send it over. (British bhangra, Punjabi music, diaspora, daytimers, music history, cultural ownership, music business)
