The creator presents a four-part guide on how to actively develop good taste. She begins by contrasting passive digital scrolling with active, real-world engagement, then outlines four practices: 1) asking "why" something works, 2) going to the physical source (museums, vintage stores), 3) studying things you dislike, and 4) slowing down to pay deep attention. The video concludes by teasing the next episode on building a reference library.
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Ep. III of the Taste File is all about 4 approaches that can help build out your taste.
Because as great as social media is (?), it also feels like it’s oversimplified a lot of things. So we should probably all go and touch some grass - or look at some buildings for that matter!
#taste #curatingambiance
Transcript
Can't scroll your way to good taste, but here's what actually works. This is part three of the taste file. Last episode, we broke taste into three layers: surface, context, and prediction. This episode is about how you actually move through them, because passive consumption doesn't build discernment. You can scroll thousands of images a day, and your taste won't improve. The difference between scrolling and training your eye is like the difference between hearing and listening. And I say eye, but this actually counts for all of your senses because taste isn't just visual. Taste is a full body experience. We sometimes forget because we've been living on screens. Here are four practices that actually work. Number one, ask why. When something catches your attention, a room, an outfit, a building, stop. Don't just save it. Ask why does this worse. The act of naming what you see is what turns passive looking into active seeing. Two, go to the source. Museums over Instagram. Actual buildings over photos of buildings. Vintage stores over algorithms. Your senses learn texture, scale, and presence much better in person. Things on screen just can't communicate. The algorithm shows us what's popular. Reality shows you what's good. These are not the same thing. Number three, study what you don't like. This one is a little uncomfortable, but important. Look at things outside your comfort zone. You don't have to like Brutalism or Memphis or maximalist interiors. Try to understand why someone else does. Understanding what you reject and why expands your range more than confirming what you already love ever will. And number four, slow down. Spend ten minutes with one painting, one room, one song. Glancing trains almost nothing. The people with the best taste aren't the ones who've seen or heard or experienced the most things. They're probably the ones that paid the most attention. In the next episode, we'll cover building your reference library, because what you've exposed yourself to is the raw material of every judgment you'll ever make. More on my Substack.